Table of Contents
Maaran Cast and Crew
| Title | Get started |
|---|---|
| Name Movie | Maaran |
| Genres | Action, Thriller |
| Director | Karthick Naren |
| Star Cast | Dhanush, Malavika Mohanan, Samuthirakani, Smruthi Venkat, Krishnakumar Balasubramanian, Mahendran, Ameer |
| Language | Tamil |
| Writer | Karthick Naren |
| Production | Sathya Jyothi Films |
| Release Date | 11 March 2022 |
| Music | G. V. Prakash Kumar |
| Cinematography | Vivekanand Santhosham |
Maaran Movie Release Date
Maaran Movie Story
Maaran Movie Review
In Maaran, Karthick Naren's quest to recapture the magic that made his debut film Dhuruvangal Pathinaaru continues. As the filmmaker's follow-up film, Naragasooran yet to see the light of morning (not his fault) Mafia: Chapter 2 followed up Chapter 1 was bright, but ultimately disappointing. There were signs that he was re-discovering his style in Project Agni, the mindbending short that was part of the anthology Navarasa. Then Maaran is his most shaky effort so far, one where even his own filmmaking style does not help him. The writing is worse of a disappointment.
The plot revolves around Mathimaaran (Dhanush in a rare, empathetic performance) who is a journalist who believes in speaking truth to power, following the footsteps of his dad Sathyamoorthy (Ramki) who died following an investigation. He is brave to the point of a tidal wave and is only concerned with being honest. With the help of his police and friend Arjun (KK who is dependable), He uncovers a scam that involves fake EVMs that are being orchestrated under former government minister Pazhani (Samuthirakani trying to get the most out of an unintentional red herring of the role) who is determined to get back his glory from the past. However, what Maaran appears to have neglected is his sister's safety Shwetha (Smruthi Venkat, the only character to show warmth).
Maaran will be the 3rd Tamil film in the span of three weeks that tries to combine a pure genre idea with a 'family-friendly sub-plot. In Valimai we witnessed raunchy action fighting, which was paired with mother love. On Etharkkum Thunindhavan (this film's release on the theatre this week) the serious problem of hidden camera videos was fought over with fun scenes that featured the heroes' families. In Maaran the film, there's a blending of a mystery with a traditional thangachi message. If you look at the outcome in the three films, it's obvious that such attempts don't work and one of these elements overpowers the other, which results in poor results.
Fortunately, unlike Annaatthe, it is possible to see some post-modernism in the brother-sister bond. The director is trying to keep the melodrama to a minimum, yet we see the bond that exists between Maaran as well as Shwetha. However, the crime storyline isn't very convincing. The problem lies in how poorly Maaran's job - journalism is presented.
About half an hour into the film, the structure of the plot begins to feel too straightforward for the typical Karthick Naren film. We get a sense of a twist -- which it is! It's not enough to create any impact, since the film does not get us completely immersed in its story. The world-building aspect is poor, and the characterization is a single note. We get a sluggish narrative that goes from one point to B, but without engaging us in the process. The lack of interest in the narrative doesn't appear to be intentional. Instead, it appears as an attempt to make an animated film from the footage that was taken after the team realized the film wasn't turning out the way they had planned.
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